Title in English: Mankind – Music – Technology. Technology in the Musical Thinking of the 20th and Early 21st Centuries
Martin Flašar’s book explores the evolving relationship between contemporary art music composers and technology, analyzing how advancements shape musical creation and philosophical thought. Grounded in Heidegger’s concept of humanizing technology through art, the book moves beyond simple documentation of technological adoption, offering a critical framework that blends musicology, philosophy, sociology, and critical theory. It categorizes composers’ attitudes toward technology—ranging from techno-utopian to post-technological—and examines how musical artifacts have transformed through digitization and materialization.
A major strength of the book is its clear and adaptable methodology, making it relevant beyond music studies. Flašar’s research not only fills a gap in scholarship but also provides essential insight into the broader implications of technology in artistic expression. This volume lays the groundwork for future studies, ensuring that the role of technology in music remains a key focus of academic discourse.
